J Hus is in an unusually carefree mood. After years of threading introspection through the bounce of Afroswing and grime, after the grandeur of Beautiful and Brutal Yard and the paranoia that ran like an undercurrent beneath his biggest hits, he’s finally outside, like, properly outside. And he finds the perfect companion in Asake.
Asake has been moonwalking across every available beat. His feature game remains impeccable and utterly current: just weeks ago, he graced Young Jonn’s high-energy anthem “Che Che” and then appeared alongside Olamide himself on the star-packed “99” from Olamide’s new album, buttressing his continuous, high-demand presence right up to the minute. He opens “Gold” with the kind of confidence that’s made him one of the most in-demand voices on the continent, and the bounce is immediately locked in: “It’s a badman party / All white, zero fugazzi.” He sings like he’s already halfway through the party. drunk on attention, flanked by beautiful strangers, chin raised just enough to avoid eye contact.
His partner, J Hus, sounds completely at ease on the track, gliding over the amapiano bounce which gives him room to work, and he knows exactly what to do with it. He just sounds good, calm, and in control. At this point in his career, Hus knows exactly what works for him, and on this track, everything clicks. The hook, “Every ring I’m wearing is gold, they’re calling me Gaddafi” is pure Hus: bold, sly, and just cryptic enough. He drops hints of his world, grounding the high life in tangible reality, a flex of his street acumen and financial reach even amidst the luxury. He affirms the unyielding drive that has powered his lengthy and influential career, culminating in the casual dismissal of others who are “hardly” seen “on road”, a definitive flex of consistent presence and hard-earned seniority. Asake’s vision has always extended to his very presence, he embodies a global, forward-thinking audacity that transcends music and he tells us as he closes the song, “Mentally, I’m in 2060 / Timing is everything, keep it moving.”
If this is the beginning of Hus’s next chapter, and not just a one-off drop, then we might be heading for a very elegant summer.