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B Side, Music

Spotify Wrapped 2025: A Year of Afrobeats Momentum in Nigeria

If 2024 screams of Afrobeats’ global takeover, 2025 proves the world is truly listening. And at the forefront of this are Wizkid, Davido, and Ayra Starr taking the charge.

  • Goodness Damilola Shittu
  • 7th December 2025

The Spotify Wrapped 2025 has been released, and it reaffirms one thing for Nigerian music: Afrobeats isn’t surviving, it’s dominating. With the data reports presented by Spotify’s global Wrapped recap, it is evident that the most widely acclaimed music from Africa is nowhere near its decline, as it is settling into the world scene. If 2024 screams of Afrobeats’ global takeover, 2025 proves the world is truly listening. And at the forefront of this are Wizkid, Davido, and Ayra Starr taking the charge.

 

Spotify's Most-streamed Artist, Wizkid

 

While the year kicked off on a relatively slow start for Afrobeats, the numbers are impossible to ignore. 2025 marked a year in which these stars sustained local recognition and topped international charts. This year, Nigerian listeners clocked over 1.3 billion hours on Spotify. Local music consumption surged by 82% compared to 2024, while daily streams rose by 23%. Meanwhile, Afrobeats’ global footprint grew by 22%, cementing the genre’s status not just as Nigeria’s soundtrack, but as a global force.

 

Most Streamed Albums and The Big Players

 

Spotify's Most-streamed Albums in Nigeria

 

This year, Nigerians predominantly handed their listening hours to two of Afrobeats biggest stars: Wizkid and Davido.

 

Triumphantly taking the number one spot on the most-streamed album is Wizkid’s Morayo, in which he also emerged as the most-streamed artist of 2025 — following Asake’s two-time reign in 2023 and 2024. The 2024-released project placed him on this noteworthy ascent, highlighting his consistency as one of Nigeria’s most prominent album makers. With an album like Morayo, it’s no surprise that Wizkid listened dutifully to his audience, delivering one of his most finely executed projects yet.

 

Closely tailing the most-streamed album is Davido’s 5ive  on the number two spot. With an array of brilliant records and a national hit, “With You,” featuring Omah Lay, Davido proves once again to be one of Afrobeats’ biggest voices. Completing the top 5 list is BNXN’s Captain, Burna Boy’s No Sign of Weakness, and FOLA’s Catharsis, while Asake’s persistence reign finds his three albums seated among the Top 10 most-streamed albums.

 

Most-streamed Songs And Artists

 

Right behind Wizkid as the most-streamed artist of 2025 are Seyi Vibez, Asake, Burna Boy, Odumodublvck, BNXN, FOLA, Davido, Rema, and Olamide, who complete the top-10 list.

 

Spotify's Most-streamed Artists in Nigeria (2025)

 

In an era where mainstream music is mainly driven by the biggest names over the years, fast-rising acts are securing their places now more than ever.

 

New generation artists, Fido, Kunmie, Faceless, and FOLA made their marks in the 2025 Top 10 Songs list. Fido’s “Joy Is Coming” trumps at No. 2. At the same time, FOLA’s “Lost” sits comfortably at No. 6. Other top tracks of 2025 include Kunmie’s “Arike” Faceless and Serotonin’s “Venus,” and Odumodublvck featuring Victony’s “PITY THIS BOY.”

 

This mix of old and fast-rising acts highlights a vital story: Afrobeats’ landscape is widening. The genre isn’t a monopoly of big names; fresh voices are carving meaningful space in Nigeria’s listening habits. This clearly indicates how ready the audience is for fresh voices.

 

Yet, long-standing artist Davido remains a big player with his viral hit, “With You” feat. Omah Lay to own the Most-Shared Song of the year. A standout track off his 5ive album. The track wasn’t just a club anthem, but a cultural fixture that had a profound impact on the international scene.

 

 

Spotify’s Most Streamed Female Artists in Nigeria (2025)

 

Spotify's Most-streamed Female Artists in Nigeria

 

While the male counterparts were making history, Mavin star Ayra Starr also emerged as the most-streamed female artist in Nigeria for the second consecutive year. This impressive win for Ayra Starr attests to her exceptional artistry, which transcends genres and borders.

 

She takes this lead ahead of Tems, Qing Madi, and Tiwa Savage on the Top 10 list. It is evident that Nigerian music isn’t driven by male voices alone, and the female voices are reckoning forces in the industry regardless of their age.

 

A commendable feat is the rise of Port Harcourt-bred act Smur Lee, who has joined the list of most-streamed female artists. With powerful collaborations and consistent top-charting records, Smur Lee commands mainstream attention. In the tenth spot on the list is Gospel singer Sunmisola Agbebi, testifying to the high recognition of Gospel music in Nigeria.

 

Afrobeats Continuous Global Success: Exports & Streaming Outside Nigeria

 

Spotify’s data confirms that Afrobeats is no longer confined to Lagos or Abuja; it has become a truly global phenomenon. Many years ago, Afrobeats struggled to break into the international market. In 2025, the global popularity of Afrobeats increased by 22%, with Nigerian artists leading the export charts.

 

 

Leading the export class this year is Burna Boy, who remains the most-exported Nigerian artist globally. With strategic collaboration, an impressive catalogue, and consistent music tours across the world, Burna Boy continues to cement his status as Nigeria’s biggest export. He’s followed by Tems, Rema, Ayra Starr, and Wizkid.

 

On the song front, the global anthem “Calm Down” by Rema, featuring Selena Gomez, retained its title as the most-exported Nigerian song for a third consecutive year.

 

This pattern demonstrates that Afrobeats — bolstered by strategic collaborations, global playlisting, and viral social media engagement — continues to attract new listeners and sustain momentum beyond Nigeria.

 

Spotify Wrapped 2025 doesn’t just tell us what we already knew: that Afrobeats is alive and well. It shows growth, momentum, and structural shifts. Behind the headline numbers are bigger changes: listening behaviour, cultural identity, artist dynamics, and global reach.

 

If this year proved anything, it’s that Afrobeats is a movement, and the world is listening. And 2026 is set to deepen Afrobeats’ footprint musically, culturally, and economically.

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