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oSHAMO Finally Drops ‘Life of the Party’

oSHAMO Finally Drops Viral TikTok Song, ‘Life of the Party’

UK-based Nigerian Afrobeats sensation oSHAMO has dropped his highly anticipated new single, “Life of the Party”, via emPawa Africa, following a viral TikTok campaign that garnered over 9,000 user-generated videos and four million views.   This track is oSHAMO’s first single of 2024, building on the success of his breakout singles “Into You” and “Why […]

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Ololade mi Asake’: The Rise and Impact of one of Nigeria’s Biggest Breakout Superstars

‘Ololade mi Asake’: The Rise and Impact of one of Nigeria’s Biggest Breakout Superstars

Earlier this week, I came across a publication by The Republic titled: “The Devil Works Hard, But Asake Works Harder…” That was arguably the most precise description I had seen of the Nigerian superstar who ultimately had the industry in a headlock for the entirety of 2022. In an era where Afrobeats suddenly became a dominant force […]

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Emmy-Nominated Orji to Adapt Gyasi's ’Transcendent Kingdom’ for Sony Pictures Television

Emmy-Nominated Orji to Adapt Gyasi’s ’Transcendent Kingdom’ for Sony Pictures Television

Sony Pictures Television has secured the rights to adapt Yaa Gyasi’s book, Transcendent Kingdom, into a television series, with Nigerian-American actress, Yvonne Orji, leading the development charge.   Been a long time comin’ for this one!! So excited to tell African stories that cross the diaspora and are relatable globally! pic.twitter.com/928M85KOQV — Yvonne Orji (@YvonneOrji) […]

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"Big 3" Rankings, Diss Tracks and the Power Play in HipHop and Afrobeats

“Big 3” Rankings, Diss Tracks and the Power Play in HipHop and Afrobeats

Music is a double-edged sword.   The curtains of lyrical and sonic brilliance, to an extent, hide rocky personal differences, assertions of dominance, and individual battles that go on behind the scenes. However, we have seen banks overflow over the years, and artistes come out to creatively infuse their bad blood for each other in their music—that is the […]

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