The Pick: TML Vibez Trades Grit for Romance on “Hello” Featuring Victony
Here’s our song of the week!
Goodness Damilola Shittu
●20th May 2026
Nigerian artist TML Vibez is in his love season with the arrival of his new street-love-inspired track, “Hello”, featuring singer Victony. After teasing the highly anticipated single, the Street-hop act finds himself deep in romance on the latest track.
Only a few Street-hop acts can glide continuously between street-inspired and Afrobeats/Afro-R&B records. Yet TML Vibez has effortlessly shown he is as versatile as he is talented. His 2025 joint album, Sweet Songs 4 You, with Ghanaian star Lasmid, showcased another side of his artistry. And on his new release, “Hello,” he proves he is once capable of serenading the streets with love-themed songs.
On TML Vibez’s “Hello” featuring Victony, the duo join forces on the mid-tempo Afrobeats track, blending elements of street energy and R&B. The track opens with soft background vocals layered over a soulful production before TML’s catchy verse strikes in. The singer marries street lingo and lamba to express the length of his yearning for his muse.
The chorus, simple as it is, stands out for its easygoing yet melodious invitation into the love-driven narrative. TML, bringing trench energy, is aware of his swagger despite being drawn to his muse for intimacy—a moment when a street kid falls in love.
This grit is balanced by Victony’s soft, expressive, and angelic vocal delivery, which adds a polished, soulful layer to the track. Here, the Stubborn-crooner offers to go over and beyond for the muse, but with a reassurance that they’ll return the energy.
Overall, “Hello” by TML Vibez featuring Victony is a heartfelt love song that plays around themes of affection, missing a special someone, and romantic reassurance. Both acts find themselves expressive, harmonising each other’s vocals.
It’s smooth groove-laden production that brilliantly marries a soulful energy from the streets with a polished R&B aesthetic, expanding TML’s sonic palette beyond traditional street‑hop boundaries.